walterarlenhenry.com
accretions
Contemporary classical music for string quintet
Violin, 2 Violas, Cello, Contrabass
September 2023
remnants
Contemporary classical music for chamber ensemble and electronics
July 2023
waking
Contemporary classical music
Chamber Music for
String Ensemble
June 2023
luctus antrum
Contemporary Classical / Electronic Music
Chamber ensemble, electronics, electric guitars
May 2023
Martini with Mancini
Quiet jazz piano piece
dwell
Contemporary Classical / Electronic Music
Conversations
Conversation 1
Chamber music for pianos, electronics, strings, and brass
January 2023
Conversation 2
Short chamber piece for 2 pianos and classical guitar
January 2023
Conversation 3
Chamber music for pianos and strings
March 2023
Contemporary Classical / Chamber Music / Electronics
geshem (rain)
Contemporary classical chamber music for multiple pianos
before or just after
April
Intimate chamber music for piano, violas, celli and contrabass.
kinah
An elegy for Alan Monasch, of blessed memory
1st Movement. Lamentation
2nd Movement. Elevation
3rd Movement. Verklärung
4th Movement. Condensation
5th Movement. Thin silence
Geisterkammermusik
seamless
Minimalist music for string ensemble
My most minimalist composition to date.
October 2021
Designed to be listened to on repeat (because you can never step in the same riverrun twice).
traces
Music for ensemble of pianos, harpsichord, cimbalom, electric celeste, 2 violins, viola, 2 cellos
Etudes (September 2021)
impromptu
Contemplative electronic composition
ruach
three apophases
ambitus
Chamber music for woodwind ensemble and pianos
softsoft
softsoft
the carpet maker
fleeting after sweet wine
at once now again
as candle once to flame allied
to breeze implores go round
there is not a word in my tongue
Contemplative electronic composition
(ref. Psalm 139:4)
≐
ζ
erev
Necessarily
it ain't necessarily it ain't necessarily so but it ain't necessarily not it ain't necessarily so but it is
Argentum
In honor of
Horace Silver
Martini in Manhattan
Chorale
Redentor
Loose interpretation of a Duke Pearson classic